Memorable and striking characters Essay

a nonher(prenominal) counselling in which Charles dickens creates memorable and striking characters is by the discipline smart he describes how the characters olfactory sensation, as in my intellection a comment of what they look equivalent dishs me to remember the characters. We world- crime syndicate learn Abel Magwitch rather than turn endorse him. When we do turn around him we learn that he has a tremendous voice. On our head start impressions we could theorise he is a ghost as heller supposes, As a opushood started up from among the graves. Then a good description of Magwitch begins and two throws practically of descriptive words at us in a rhythmic manner.Magwitch is starting line described as A imposing man All in gross grey With a great urge on on his leg. This is precise syllabic, suggesting a very basic man. This as well direct gives us the impression that he is an take flight convict, which later in the story we occur forth he is. In squ eamish times an escaped convict would vex filled the reader with utter fear. ogre in addition says that Magwitch isnt wearing several(prenominal)(prenominal) hat, which would be regarded as disrespectful, and that he is not a gentleman, as he isnt wearing a hat.Dickens withal drops a push-down stack of verbs in the description regarding the stylus Magwitch looks, such(prenominal) as smashed surround lamed cut stung and separate which suggests that the environment is hostile towards him and that it has disabled him in some counselling. There is too a strong sense of rhythm passim the description, for example soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles and torn by briars. The Cut by flints is almost counterfeit in that it gives a choppy monosyllabic effect to capture the act.Dickens finishes finish up his description of Abel Magwitch by writing verbs like shivered, limped, gl atomic number 18d and growled. The gl bed and growled gives us alliteration and proves on the dot how living organism like he is, as Magwitch is conveyed as beast like in a wilderness, who is hunted by society. When radar target first sees sink Havisham he describes her as The eeriest peeress he had ever seen. There is therefore a wide-eyed description of strike down Havisham that proves right how peculiar and emotionally shake she is. Dickens says that she is hooked in easy materials- satins, and lace, and silks, we bathroom pronounce from this that is an extremely fastness correct charwoman.We start to produce she is strange when Dickens says every social function she wore was white. When he says white, we associate it with a wedding and we learn that she was abandoned at the altar later in the book. She has been at Manor/ Satis house for a foresighted time, we rotter tell this when Dickens says, The fig out she wore had lost its lustre, and was faded and yellow, and besides when he says Th e bride within the bridal dress had withered like the dress. We croup tell there is no reside left in her and that she is miserable when Charles Dickens says she has Sunken eyes.Now kill sees her as Ghostly waxwork. suffer Havisham is regarded as waxwork, as skin and grind by notwithstanding also as a skeleton. She is like the living dead, if you excuse the oxymoron. The way the characters behave is another way in which Charles Dickens creates his memorable and striking characters. Magwitch behaves in a solely bizarre way with blip, for example he turns speckle upside down, which is a symbolic action for when he turns radar target upside down, its like he has turned Pips lifespan upside down, which he eventually does.Magwitch also behaves differently as when he finds some stops in Pips pocket he eats the bread ravenously, which makes us realise just how sharp-set and animal like Magwitch is. Magwitch behaves very more or less with Pip as we passel see from the des criptions Took me by both arms, and tilted me back as far as he could hold me. This is the action of a man who is horrific and needs Pips help. get by Havisham also behaves not just strangely but the way she behaves is grotesque, as she tells Pip I have imbalanced fancies, and I have sick fancies that I want to see some put-on.I mean who says that to a childlike son, its just disgusting. She also orders Pip almost as soon as he gets through the door, I mean that this is because she values that just because she is a wealthy she has the right to order Pip about because he is a working class boy. Another way in which she behaves strangely is that she talks out loud but doesnt seem to c are if Pip can hear or understand what she is saying. The termination way in which Dickens creates both memorable and striking characters is by the way he makes them speak.Speech is a very important vehicle in exposure as it determine a isthmus about the characters, for example where they are from and their favorable class. When both Magwitch and Miss Havisham speak, they both use imperatives but we realise that Magwitch needs to erupt imperatives out of necessity whereas Miss Havisham wants to offspring imperatives because she feels she can because she is an upper class woman and Pip is a working class boy. We realise that there is a lot of communication between Magwitch and Pip, but when Pip is with Miss Havisham he is the audience.We also realise that Magwitch uses you all the time whereas Miss Havisham uses I all the time, as she is full of self-absorption. When we first hear Abel Magwitch speak, he speaks with such top executive and aggression that we think he is a dangerous man. When Magwitch speaks he uses lots of imperatives, such as Keep still or Ill cut your throat and kick in your noise these two sentences are also part of a number of sentences that are monosyllabic. Dickens also uses lots of dialectal grammar for example, Tell us your name. When Magwi tch says pint out the place this suggests that he whitethorn be from a particular division as pint is a dialectal word. When Magwitch says What fat cheeks you ha got it is kind of erratic in a way as Magwitch is so hungry he is scatty to eat Pips cheeks. When Magwitch turns away as he thinks that Pips mother is nearby we can tell that he lives a life of perpetually been afraid. After Pip says that both his parents are dead Magwitch says Ha but this Ha is not an evil ha, it is a grand man trying to sound disrespectful muttering, which proves just how dire he is.When he learns that Pip is an orphan we see a side of him, a warm word form side when he asks all these questions, and Magwitch realises that he can depend on Pip. When he orders Pip by saying, You get me a file, and you get me wittles, and you bring em both to me we notice the repetition of the word you that suggests that Magwitch is desperate and in a panic, and that Pip (this three-year-old boy) is the only per son who can help him. When Magwitch describes the man who is in hiding with him, he creates the most horrific and violent imagery, which and so scares Pip.When Pip says Goo- good night sir Magwitch replies with practically of that, I wish I was a frog, or an eel which proves just how much he hates himself, and that he wants to be someone/ something else, and with that he goes limping into the distance. When we first hear Miss Havisham she comes across as a little, sad, vulnerable, weak, dim old lady when she says Who is it? however, even though she says this, it arouses our suspicions because she was the person who invited him, so therefore, is expecting him.When Miss Havisham is verbalise there is a lot of commands that are styled as imperatives. Miss Havisham starts to open out when she says You are not afraid of a woman who has never seen the son since you were born(p)? When she says this, it is effective sibilance it is also taunting and full of utter spite. What do I im pact broken this sentence is Miss Havishams monologue, it is also full of spite, this sentence is also a very odd thing to say to a young boy such as Pip.When Miss Havisham says, I am tired, I want diversion, and I have done with men and women, foregather we see that it is all about her, it is full of self-absorption, as she is always saying I the readers also realise that something is not quite right when she says this sentence. She then becomes extremely affront towards Pip when she says Are you Sullen and stony which proves that Miss Havisham is extremely well educate owing to the long sentences and the complex expression she employs.She also talks in riddles when she says So new to him, so old to me, so strange to him, so familiar to me which is not only comparing herself to Pip, but when she says this sentence, its like she doesnt care if Pip hears and understands her or not. Miss Havisham doesnt think that Pip can do anything for himself and she proves this by saying You can do that. outcry Estella. At the door, which is ordering Pip to call Estella in a strange house.I think this is one causal agency why Pip feels very ill-fitting in Manor house, as it is totally outside his experience- a working class boy in the presence of core/ high-class society. When Miss Havisham says to Estella Well you can break his heart we see what her program is and Miss Havisham is also been very horrible. When she asks Pip, what does he think of Estella? She is being a collation cheeky, quite controlling and very mean, but it is the only sentence she says to him politely.When he does say (in her ear) Miss Havisham keeps prompting him, which in my opinion is very taunting, but overall that is what Miss Havisham is. So to conclude there are three main ways, in which Charles Dickens creates his memorable and striking characters. Firstly by the way he describes the setting, secondly by the way Dickens delineates the characters, for example the way the characters lo ok and behave and thirdly by the way the characters speak.We have learnt that Abel Magwitch is a kind, desperate man who needed Pips help, and that Miss Havisham is a strange, grotesque, mean old lady who just likes to boss people around, having said this, in my opinion the reader feels a depressed amount of sympathy for her. We wouldnt expect that Magwitch and Miss Havisham are totally transposed on our first impressions, but the altogether theme is about our expectations. Dickens has created a number of successful characters, and because of their capturing description we can hear and see the characters, and because we know them and Dickens has brought them alive, we remember them for the rest of our lives.